Showing posts with label Dave Marsh. Show all posts
Showing posts with label Dave Marsh. Show all posts

Sunday, July 13, 2014

Story Songs: Shake You Down

One of the most sensual, soulful and sexy songs I've ever heard is Gregory Abbott's "Shake You Down."


The tune was released in September 1986 and reached No.1  on the Billboard Hot 100 chart in January 1987. It was written by Abbott and was on his debut album of the same name. 

Rock critic Dave Marsh rated the song No. 615 among the top 1001 singles in his book, "The Heart of Rock & Soul." He writes that it is a "slinky seduction song that uses traditional R&B harmony techniques in a contemporary rhythm ballad context."

The song opens with the narrator hoping to catch the attention of a woman and goes from there:

"Girl, I've been watching you
From so far across the floor now baby
That's nothing new
I've watched you so many times before now baby
I see that look in your eyes
And what it's telling me"

And apparently they make eye contact:

"And you know girl that I'm not shy
I'm glad you picked up on my telepathy"

The narrator admits that the woman knows what he's thinking:

"You read my mind
Girl I wanna shake you down
I could give you all the loving you need
Come on let me take you down
We'll go all the way to heaven"

Throughout the song the narrator expresses his desire for her:

"Let me ease your mind, oh baby
I got the remedy, just I do
Now give me just a little time"

and

"Every time I get to feeling this way
I wish I had you near me, 
I wanna reach out and touch you"

and finally,

"I can't stop thinkin' of the things we do
The way you call me baby when I'm holding you
I shake and I shiver when I know you're near
Then you whisper in my ear, oh baby, well, well"

On his website, Abbott is said to be "a favorite with the ladies for his sophisticated demeanor and intelligent green eyes with a sense of something much more." 

Abbott, who is 60,  was formerly married to singer Freda Payne ("Band of Gold"). He remains involved in music, writing for television and movies, as well as releasing nine albums.

"Shake You Down" lyrics


Saturday, July 7, 2012

Story Songs: I Heard It Through the Grapevine

Norman Whitfield and Barrett Strong probably wrote the greatest heartbreak song in history in "I Heard It Through the Grapevine." It was a No. 1 hit for the legendary Marvin Gaye in 1969, and No. 2 for Gladys Knight and the Pips in 1967. Even Creedence Clearwater Revival had a minor hit with the tune in the 1970s.



Rock critic Dave Marsh, in his book, "The Heart or Rock & Soul," rates Gaye's version as the No. 1 greatest single of all time. Certainly subjective, but he makes a strong case for his choice.

The narrator is troubled and heartsick when he learns that his girlfriend is returning to an earlier lover (the Gladys Knight version takes a feminine point of view):

"Heard it through the grapevine
Not much longer would you be mine
Oh I heard it through the grapevine
Oh I'm just about to lose my mind"

He's upset that he didn't hear it from her about her plans to leave him for another man:

"You could have told me yourself
That you love someone else
Instead I
Heard it through the grapevine."

And he still wants to hear it from her mouth:

"People say believe half of what you see, son
And none of what you hear
But I can't help bein' confused
If it's true please tell me dear"

But at the end of the song, he knows the relationship is about to end:

"Honey, honey, I know
That you're lettin' me go"

I believe most of us can relate to this song and that's what makes it a universal anthem for breaking up. Hey, it hurts, and the lyrics reveal the pain.

Among the other artists who've recorded the song are Smokey Robinson and the Miracles (the first in 1966), Amy Winehouse, The Slits, Earl Klugh, Patti LaBelle, Michael McDonald, Martha Reeves, Ronnie Milsap, and from TV commercial fame, The California Raisins  (I've included their video with Michael Jackson). 

Do I have a favorite version? I suppose Gaye's is the defining  rendition (foreboding) of this great song although I enjoyed the interpretations by Gladys Knight and the Pips (upbeat) and CCR (haunting).